Interview: Richard Vorodi

We are thrilled to be interviewing Richard Vorodi, the Single Player and Story Designer for Metroid Prime Hunters. Richard discusses his time working with NST on the project, his admiration of the Metroid series, and shares never-before-heard facts about the hunters.

SHINESPARKERS :

Thank you for agreeing to take part in this interview, Richard! For those who don’t know you, please introduce yourself to our readers!

RICHARD VORODI :

My name is Richard Vorodi and I was a game designer at Nintendo for roughly a decade, though my total tenure at the Big N was closer to 15 years. In my time with Nintendo, I got to really experience what it was like to build unique products with large and passionate fanbases. I also had firsthand experience with what truly makes Nintendo such a unique and world class developer of entertainment products. Though I eventually moved on to new challenges in my career, I still greatly miss the people and the culture there. The knowledge about the craft of designing video games I gained and the friendships made will last me a lifetime.

SHINESPARKERS :

You worked with Nintendo for over a decade on a range of different titles. Can you tell us a bit about the application process and your desire to work for NST in particular?

RICHARD VORODI :

Well since I was probably age 7 I wanted to work as a designer for Nintendo. I was a proud console war veteran by the time I moved to Redmond to start college at the DigiPen Institute of Technology. From there, I grabbed the first job I could with Nintendo- a seasonal job in the consumer help dept where, over the phone, I helped people hook up their newly received N64’s for Christmas. Once inside, I had access to the internal job listings. One day a Jr. Game Design position opened up and I applied with everything I had. hahaha. I remember getting help creating the perfect cover letter and formatting my CV to appear as professional as I could. I had no money at the time but still spent more money than I had on an interview wardrobe, but man this was a design job with Nintendo! I just went for it!

Luckily for me, things worked out and I joined my first professional game development team. NST (Nintendo Software Technology), was looking to grow it’s internal development team and needed someone who could bridge the gap between the programmers and the designers. With my background in CS I was able to help fill that void, though quickly realized the difference between school and the real thing! As time went on, NST became this experiment within Nintendo to see if the development culture in Japan could be hybridized with western ideals for presentation. We were a first party studio, and had access to an incredible amount of resources. I’ll never forget meeting Mr. Miyamoto for the first time. 🙂

SHINESPARKERS :

Metroid Prime series producer Kensuke Tanabe wanted to create a Metroid game for Nintendo DS, but the team at Retro Studios were busy developing another game at the time, so he approached NST to work on it. What were your initial thoughts and feelings about being asked to design on a Metroid title?

RICHARD VORODI :

I think besides the Mario and Pilotwings series, Metroid was my favorite. I remember being told about the possibility of working on it, and I campaigned hard at the studio to do it. I don’t think I necessarily made that happen, but the enthusiasm didn’t hurt!

SHINESPARKERS :

Tanabe-san was the Producer on Metroid Prime Hunters, and despite Retro Studios’ other commitments, they were advising NST on world and character design. How much creative freedom did you and other members of NST have with the development of the game?

RICHARD VORODI :

From my memory, NST had a ton of freedom in the beginning of the project to explore different gameplay and story ideas. We were allowed to rethink the controls, as well as the pacing because we had to deliver a Prime like experience on a handheld, where traditionally attention spans are naturally much less than say a console experience.

SHINESPARKERS :

What was the working environment like during the development of Hunters for you and your team, and between NST and Retro Studios?

RICHARD VORODI :

Actually Retro Studios was very busy with Metroid Prime 2, so they weren’t very involved with NST and our work. They had already laid out some incredible design choices with the Prime franchise, so a lot of the heavy lifting was done per se. They did send their secret weapon to us from Austin though. A concept artist by the name of Andrew Jones. Dude was the best artist I had ever met at that time. Turned out, he was a huge influence on the art style and edginess of the Prime series. I was one of the folks working on designing the new bounty hunters at the time.

I remember delivering Andrew some quick fiction on what each Hunter was about and possibly what their abilities were. From there, he would create a bunch of different silhouettes, which would inform new fiction ideas, and then facilitate more sketches. I remember that time was filled with such explosive creativity. The team was really starting to hone in on what we were making. The programmers were pushing the limits of the hardware. Life was good.

SHINESPARKERS :

From open lava cliffs, to spaceship interiors by way of space platforms, there are quite a few unique stages in Metroid Prime Hunters! Did you have any governing tenants to your stage design, or did you approach each one with a unique concept?

RICHARD VORODI :

We focused on color palette in the beginning. What sorts of colors would pop the best on the Nintendo DS screen. From there, we tried to make the stages so they could have dual purpose. We just didn’t have the time to create completely brand new campaign and multiplayer components, so we had to devise a strategy wherein we could create balanced MP [multiplayer] arenas, that with a few modifications, could function as a compelling SP [single player] environment.

SHINESPARKERS :

What do you think makes a good ‘arena’ for this sort of fast-paced shooter?

RICHARD VORODI :

We really tried to create circuit based maps. We wanted to try and eliminate as many friction points as we could, so we tried to have the maps keep you moving. We didn’t like dead ends. In the end, I think that style of map helps out when playing on such a tiny screen.

SHINESPARKERS :

Compared to the Metroid Prime trilogy of games, Metroid Prime Hunters has no lock-on, how quickly was this design choice (pardon the pun) locked-in?

RICHARD VORODI :

I like puns. No shame there. 🙂 Well I guess I can safely say that my biggest design wish was that we could adopt a more smooth and responsive controls scheme for Hunters. Every time you make a new game, you really owe it to the project to rethink the controls. That is paramount. Period. With the Prime series, they chose a lock-on type of camera. That was a genius move by them in my opinion. They were after all building an adventure game. They didn’t need elaborate, and possibly confusing controls to express their gameplay.

With Hunters, we were not building an adventure game. We were making Space Fight Club. That meant that we could take advantage of the mouse like controls the touch screen afforded us to have a set of controls that was super responsive and built around the idea of aiming. It took a lot of convincing others at Nintendo, but eventually they agreed and even suggested a few other optional control schemes. Let me tell you, if you ever hit a wall creatively, there is always someone at Nintendo who has the answer!

SHINESPARKERS :

The Boost Ball is present in Hunters to move around quickly, but there is no infrastructure for Samus to use it to its fullest potential, such as half pipes and puzzles compared to the mainline Prime games. Was this a conscious decision, or something you had difficulties in developing?

RICHARD VORODI :

When dealing with now a variety of bounty hunters, Samus is no longer the only star of the show. It was very important that every hunter should be able to own the space with the same fidelity as Samus. Canonically though, I always felt that not every location in her journeys would be as Morphball friendly as others.

SHINESPARKERS :

Were the multiplayer maps of the game designed as single player environments first, or were they used as the building blocks for single player stages?

RICHARD VORODI :

Depended on the stages, but they either led with a cool single player idea or a frenetic multiplayer idea. We never just built a space for the heck of it.

SHINESPARKERS :

There are a number of staple Prime features, like Save Stations, the Grapple Beam and Power Bombs that are not included in Hunters. Which elements from the Prime series not present in Hunters would you have liked to include?

RICHARD VORODI :

I don’t really have any regrets in terms of what you just said. We were building a very unique expression of Metroid, that had to shine as a handheld experience. I think what we ended up with was what worked the best for what we were doing at the time.

SHINESPARKERS :

Metroid Prime Hunters, as a multiplayer game, was rather different from Metroid Prime 2: Echoes’ take on the mode. How much did Echoes’ versus mode inform your own designs?

RICHARD VORODI :

I would probably say none. Again, both teams were trying to build what was right for their product respectively.

SHINESPARKERS :

One of the criticisms of Hunters is that the boss fights and escape sequences can become quite repetitive. Was this a consequence of hardware limitations, or time constraints?

RICHARD VORODI :

There’s always this balance of content versus time and polish. You just try your hardest as a developer to entertain and delight the largest amount of people that you can. Hopefully we gave you guys a good time!

SHINESPARKERS :

Unlike other titles in the series, Metroid Prime Hunters doesn’t feature Metroids, although they were present in First Hunt. Phazon is also something not found in this game. Why was the decision made not to include these in particular, and tie Hunters to the overall story of the Prime series?

RICHARD VORODI :

We don’t feature any Metroids because this adventure was a departure from Samus’s past missions where she was more of a detective for the Federation. This mission was more of a sucker punch. She’s fighting for her life against foes arguably scarier than anything she’s ever dealt with before. That all being said, there definitely are some Easter eggs in the game…

SHINESPARKERS :

Hunters made an unprecedented choice of including a bad ending where Samus dies if certain requirements are not met. What prompted the decision to include such an ending?

RICHARD VORODI :

It’s always fun to have water cooler type moments in games. Sometimes delivering the unexpected really allows an audience to connect with the story.

SHINESPARKERS :

Hero fighters are becoming common fare nowadays and Prime Hunters is very much an early arena-based take on the concept. What were the key challenges you encountered designing a multiplayer game, featuring characters with different powers, weapons and skills?

RICHARD VORODI :

Well, we realized early on that it was super important to get the silhouettes of the characters right. Far away characters become unreadable and the pixel count gets smaller. To that end, we really made sure you knew who was in front of you and what they were capable of doing long before you saw the white’s of their eyes. Aside from readability issues, balance was a key hurdle to overcome. In the end it really took thousands of hours of play testing and tuning to get it nailed down.

SHINESPARKERS :

The release of Hunters had to be postponed by a few months to implement online play, something the game didn’t originally plan to include. Can you share your thoughts on that delay, the team morale at the time, the challenges you faced and the improvements you were able to make in that time?

RICHARD VORODI :

To the right team a delay is a miracle. That means your publisher believes in what you are doing, and wants to allocate even more resources to making that thing even better. I know we took advantage of that time in so many great ways. Among them, the online play. It was so much fun to have an online enabled multiplayer game in your hand. It even featured voice chat! We had the best programmers, all doing stuff that seemed impossible to do at the time. Those guys were mad scientists.

SHINESPARKERS :

Metroid Prime Hunters is recognised as a title that utilised many features of the Nintendo DS, pushing the hardware to its limits. With such high ambitions, what hardware features and game modes did the team want to include beyond the initial scope of the project?

RICHARD VORODI :

Virtual Reality and full body force feedback.

SHINESPARKERS :

The approach of creating many characters that all have a Morph Ball equivalent seems like it could have led to some fun brainstorming. Can you remember any interesting Morph Ball concepts that didn’t make it in?

RICHARD VORODI :

I think by the end there were no more stand alone ideas. Almost every idea that we had was blended with another idea to create a better experience.

SHINESPARKERS :

Spire is the last of the Diamont race, and he is trying to uncover the truth of their mysterious fate. He sought the Ultimate Power in order to uncover the truth, but unfortunately failed. Can you please share what the fate of the Diamont race was?

RICHARD VORODI :

It’s a hard galaxy. Not everyone makes it.

SHINESPARKERS :

Kanden is part of the Enoema race, and experimented on as part of the Living Weapons project in the hope of creating a super soldier. During the procedure, he became ferocious, breaking free and destroying the laboratory. Can you share a bit more about the Living Weapons project and Kanden’s origins prior to the experiment (for example, was he a scientist, warrior or civilian)?

RICHARD VORODI :

That project was super secret. It would not have been known outside of a tight circle of entities. Thus we pick up on it after his creation. The past is shrouded in mystery.

SHINESPARKERS :

Noxus is a Vhozon, with the aim of seeking the Ultimate Power to bring peace to the galaxy. He took part in the Vhozon Codex training to obtain the Judicator, his main weapon in the game, by completing the fifth level of the training. Can you please give us some more background on the Vhozon Codex training, and Noxus’ participation?

RICHARD VORODI :

Noxus (originally planned as Nox), was very much like a warrior monk. His entire life was based on perfecting his skills, quieting his mind, and making hard choices to protect the balance between good and evil.

SHINESPARKERS :

So Noxus originally had a different name? That’s pretty interesting! Was this the case for other Hunters, and what inspired their names?

RICHARD VORODI :

His name was originally Nox. At the end of Hunters there were a bunch of unused names for the hunters. Sometimes we came up with names betters suited for them as they evolved, or other issues prevented us from using them. We had some neat ones. Maybe one day those names will get dusted off and used again along with the unused Hunter designs!

SHINESPARKERS :

Trace is a member of the Kriken Empire, a blood-thirsty race intent on conquering the galaxy, and invading planets. The Kriken is an enemy to both the Galactic Federation and the Space Pirates. What can you tell us about the history of the conflict between these organizations?

RICHARD VORODI :

The Kriken are a definite scourge in the galaxy. Interstellar cockroaches basically. If they guys go unchecked, there might be nothing left for anyone. That’s why you see unnatural alliances between different factions when it comes to these guys.

SHINESPARKERS :

Alliances between the Space Pirates and the Galactic Federation? Can you clarify that?

RICHARD VORODI :

What I’m saying here is that the Kriken have become an issue for the Galactic Federation, and the Space Pirates. They are the only species everyone seems to agree should be wiped out. Almost to the extent of working together (though that has not happened yet).

SHINESPARKERS :

Weavel is a former Space Pirate Elite, physically altered forever after a duel with Samus Aran, with only his brain and spinal cord in-tact. He was reborn as a cybernetic, with deep hatred for the huntress. But outside of this, what are Weavel’s intentions? Additionally, where and when did the duel between Weavel and Samus take place?

RICHARD VORODI :

My favorite! Without saying too much, Weavel was stationed on Brinstar a long time ago. It is possible Samus and him had their battle in the original Metroid…

SHINESPARKERS :

That’s a great bit of trivia! It even backs up a quote Nintendo Power once made about Weavel’s origins. Was this a battle that took place off screen, or is he a specific pirate we have seen before? Perhaps in Zero Mission or the manga?

RICHARD VORODI :

I’d prefer not to specify directly and let that remain a piece of legend.

SHINESPARKERS :

Sylux is one of the more memorable hunters from the game, with the presence of his ship and an air of mystery around him. Years later, Sylux has made appearances at the end of Corruption and Federation Force. Did Tanabe indicate at the time that he had greater plans for Sylux in the future?

RICHARD VORODI :

We have a great backstory written up for Sylux. There’s a lot of threaded storytelling in there, that made using the character in other games a good fit. I would love to tell you what’s going on under that suit…

SHINESPARKERS :

Ultimately, all of these bounty hunters failed in their quest to obtain the Ultimate Power. In your opinion, what do you think happened to each of the bounty hunters after they escaped the Oubliette?

RICHARD VORODI :

I think a few of them naturally followed their path like Trace, but a few of the others became smarter, wiser, and jealous of Samus. This event definitely will become a catalyst for future galactic turmoil despite its relatively positive outcome.

SHINESPARKERS :

Can you tell us any other interesting facts we still don’t know about each of the hunters?

RICHARD VORODI :

All of their visor heads up displays were created by the same artist that made Samus’s in Metroid Prime. An NST artist by the name of Nicholas Trahan.

SHINESPARKERS :

The lore of Metroid is a fascinating and much appreciated part of what makes the series so interesting to fans, adding story and background to the world we care about. Hunters lore feels contained and separated from the other titles in the original Prime trilogy, but there are similarities that mirror them, such as Gorea arriving on Alinos on a comet like Leviathans, and the Alimbics sharing the likeness of Chozo and Luminoth in terms of technology and intelligence. Why was it important for this game to disconnect from others, yet retain similarities?

RICHARD VORODI :

Metroid Prime Hunters shares the same DNA that all Metroid properties do. Like all relatives on a family tree, some traits are preserved and newer are ones gained. That’s the case here as well.

SHINESPARKERS :

Gorea is a dominating presence in this game, responsible for the physical extinction of the Alimbics, and overpowering the other bounty hunters. But there is still so much about Gorea we don’t know, such as his origins and overall background before arriving on Alinos. How did you come up with this character, and is there any additional lore around Gorea that we are not aware of?

RICHARD VORODI :

Gorea can be thought of like a cosmic horror. There is an “old one” quality to it. To that extent, much about Gorea is a mystery not meant to be solved.

SHINESPARKERS :

The history of the Alimbic Race is fairly limited, but it is mentioned that an extraterrestrial force attacked the Alimbics prior to the arrival of Gorea, and caused them to become militant. What more can you share with us about the history of the Alimbics, including the unnamed race who attacked them?

RICHARD VORODI :

This is better left to the imagination until if/when we meet back up with these creatures.

SHINESPARKERS :

The Tetra Border Wars is an important part of Alimbic history. Can you tell us more about the timeframe of the war and who they were fighting?

RICHARD VORODI :

Here’s a more interesting nugget. The Tetra Galaxy was named after the school of Tetra fish I had in the aquarium on my desk during development.

SHINESPARKERS :

The game features old trading route maps, indicating that the Alimbics exchanged wares with other races. Do you have information you can share on who they traded with? (Perhaps the Chozo, Luminoth, Ylla, N’kren or other Alimbic colonies?)

RICHARD VORODI :

It is believed that many of the enlightened races in the galaxy traded with each other. Trade is often the genesis of the transfer of knowledge, stories, and customs between distant cultures.

SHINESPARKERS :

Metroid Prime Hunters takes place between the events of Metroid Prime and Metroid Prime 2: Echoes, but we don’t know specifically when. Can you confirm exactly how much time passed between the events of Metroid Prime and Prime Hunters?

RICHARD VORODI :

Though the lapse of time has not been revealed, Samus’s ship in Hunters is the one she piloted in Prime 1 and her suit is the one she wore during Prime 2. As far as visors and weaponry are concerned, her only core abilities (innate to the suit) are her Arm Cannon, Combat/Scan Visor, and Morphball ability.

SHINESPARKERS :

The premise of Hunters is that the bounty hunters are all seeking something called “the Ultimate Power”, but the game does not make clear what that Ultimate Power actually is. Can you confirm that answer once and for all?

RICHARD VORODI :

The ultimate power was a ruse. It was the promise of power that would entice the most powerful entities in the galaxy to unknowingly release the cosmic horror, Gorea.

SHINESPARKERS :

Out of all the characters in Metroid Prime Hunters, who was your favourite?

RICHARD VORODI :

Aside from Samus, I’d have to say Weavel. Man I had great ideas for that character if given the chance to go forward.

SHINESPARKERS :

On reflection, were there any changes you would have made to Hunters? If you were given the chance to add, remove or improve things, what would they be, and why?

RICHARD VORODI :

You know that old saying, artistic endeavors are not finished, but abandoned? There has never been one project I’ve ever worked on where I went “it’s perfect”.

SHINESPARKERS :

Looking back on your time at NST and on Metroid Prime Hunters, what lessons have you learned that you have applied to any projects you have worked on since?

RICHARD VORODI :

The main takeaway I had was to explore what makes your IP special. Protect those values, but still have the courage to push the boundaries and perhaps show it in a new light, but ultimately making the best choices for the hardware it runs on.

SHINESPARKERS :

If any developer working on a Metroid title in the future decides to go down the multiplayer route, what advice would you give, and what lessons do you think they could learn from Hunters?

RICHARD VORODI :

It’s a really fun game to play even today with all the modern advances that FPS games have at their disposal. The only advice I could give is you’ll know your team is on the right track if they are eager to compete with each other several times throughout the day!

SHINESPARKERS :

Thank you for taking the time to respond to our questions, and for your work on Metroid Prime Hunters. Do you have a message to share directly to the fans?

RICHARD VORODI :

Long before I had the privilege of putting my stamp on this amazing franchise, I was a fan. I remember being a kid and hunting down all the Metroid mutations on my Gameboy. Braving car sickness, and dreaded low battery warnings, I was glued to that game until I finally beat it. I’d played every Metroid game since. Working on Metroid Prime Hunters is still to this day one of the greatest honors of my professional career. I owe a lot to Nintendo, Mr. Tanabe, our excellent and patient producer, as well as our game director Mr. Abe. Both really trusted the team to create something new because I believe they knew we would respect what had come before.

To be completely serious, if you have a dream, go for it. Do everything you can to make it happen. With enough perseverance and a lot of luck, I think anything can be possible.

See you guys next mission as a fan!